As part of the National Queer Arts Festival:
Thursday, Friday, Saturday
June 9,10,11, 8pm
Million Fishes Arts Collective
2501 Bryant Street
http://millionfishes.com/

photo by lissaivy tiegel
Monday, May 9, 2011
Tuesday, May 3, 2011
5/13 and 5/19 Southern California
Friday, May 13th, 8pm
Pieter Pasd, 420 West Avenue 33, Los Angeles
Admission: Non-Monetary Donation to The Free Bar, The Free Boutique, or The Studio
Park on the street, not in the lot!
More info: http://pieterpasd.com/home.html
Thursday, May 19th, 8pm
Back to the Grind, (in the downstairs space), 3575 University Ave., Riverside
Admission: Purchase something yummy from behind the counter upstairs!
More info: http://www.back2thegrind.com/
(please note we are scheduled as a private event at Back to the Grind and are not on the calendar)
RSVP to: jdellecave@hotmail.com with BLOWHOLE in the subject line
Admission/Donation
Dear Future Potential Audience Members:
Admission to all BLOWHOLE performances is non-monetary!!!
If you are able, please consider making a donation to assist J. Dellecave/Crystal Goldmind with production costs.
Click on the PayPal link below:
https://www.paypal.com/cgi-bin/webscr?cmd=_donations&business=VPZ9J58FX6MEY&lc=US&item_name=BLOWHOLE%202011¤cy_code=USD&bn=PP%2dDonationsBF%3abtn_donateCC_LG%2egif%3aNonHosted
Admission to all BLOWHOLE performances is non-monetary!!!
If you are able, please consider making a donation to assist J. Dellecave/Crystal Goldmind with production costs.
Click on the PayPal link below:
https://www.paypal.com/cgi-bin/webscr?cmd=_donations&business=VPZ9J58FX6MEY&lc=US&item_name=BLOWHOLE%202011¤cy_code=USD&bn=PP%2dDonationsBF%3abtn_donateCC_LG%2egif%3aNonHosted
Sunday, May 1, 2011
BLOWHOLE 2011
BLOWHOLE is a series of provocative written, spoken, and danced correspondence between Crystal Goldmind and Zip Shark—choreographer J. Dellecave’s and writer July Oskar Cole’s scandalous, lascivious alter egos. Part epistolary, part dance performance, part poetry reading, and fully queer—BLOWHOLE viscerally scrambles epic fantasy narratives through high-energy sweaty repetitive movement; the aural pleasures of exaggerated breath; obscure pop songs and a somewhat thwarted collaboration; and things you do in your room with the door closed. Moments to get excited about include variations on humping, a crooning lovelorn mermaid (covering Jacques Brel), lots of panties, the white faux fur rug, postcards to the audience, and an ocean of piss.
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